Jenny Hector first worked with GUTS in 2017 lighting The Perception Experiment, returning in 2018  to design lights for The Lost Dance Project. She travelled with the company as Production Manager for their remounts of TPE for 2019 Dance Massive and Festival Cultural de Mayo in Guadalajara, Mexico.

Her work as a lighting and set designer has been experienced most recently with Kamila Andini’s The Seen and The Unseen for Asia TOPA (Jakarta, Singapore and Melbourne), Sydney Chamber Opera’s The Howling Girls for Tokyo Festival World Competition 2019, and X-Risk, Kuopio Finland, collaborating with Madeleine Flynn, Tim Humphrey, Pekka Mäkinen, and Johanna Tuukkanen.

She has designed lights for Paul Kelly and Paul Grabowsky- Meet Me In The Middle of the Air, Arts Centre-For Those About to Rock, Dark Mofo-Night Mass 2018 and Funeral Party 2016, Back to Back Theatre and The Theatre of Speed, Finucane and Smith-The Rapture, and Shanghai MiMI, Circus Oz-Aurora and From The Ground Up, Rimini Protokol- 100% Melbourne and 100% Darwin, Federation Square- Light In Winter. Her work for Fraught Outfit-Exodus II, Prue Lang -Stellar, Sandra Parkers Out of Light were nominated for the Green Room best lighting and Jo Lloyd’s Overture, Jacob Boehme’s Blood on the Dance Floor and Jodee Mundy’s Imagined Touch received Green Room Awards for Best Production, which Jenny realised both the lighting and set designs for.

Jenny is the recipient of two Green Room awards for Balletlabs Miracle and Jenny Kemps, Madeleine and the 2016 Award for Technical Achievement