PROGRAM

SUB

TRAVERSING FRACTURED EARTH

Escaping a surface world littered with crises, we burrow into soil and stone to seek shelter within layers of debris, tunnelling and surrendering to its contradictions. 

Deepening towards the tectonic pulse of the earth, time shifts and defies what we know about living in relationship with the underground. Digging closer to the polyrhythms of the core, entangling natural symphonies with industrialised extraction processes, SUB cracks through our resistance to hope.

A soft defiance is portrayed through the endurance of SUB’s inhabitants as they come into confluence with precious materials below the surface, shifting our understanding of care as difficult when in the act of regeneration. 

In this place that both attracts and scares us, this wet, restless and difficult place, we engage with the terror and volatility of the living natural world.

A NOTE

what can living in the earth reveal to us about our lives on the earth?

SUB is a world of safety. SUB is a world with no edges. SUB is all the things on the periphery. How many timescales exist in the world? We might be gone but this will still remain, suspended between previous and next, the not-yet.

SUB began three years ago with a residency at Red Hot Arts Central Australia, a solo residency dotted with initial conversations with Pierce Eldridge (a spectacular curator, writer, thinker and friend) around questions of preparing for a volatile future, and what choices we might make if we were to plan to live underground. Three years later and we’ve traversed volcanoes, seed banks, deep ocean/deep space, geology/strata, interlacing, ecological time vs human time, grief, regeneration, caves, tunnels, care, mountains, summits and mines. The team has grown to a collaborative process counting on 17 incredible artists, working alongside a complex web of junk-like objects. And now, premiering this work in Mparntwe - where it all began - feels like a precious moment to look back along the vast, complex web of people and places who have contributed to SUB.

It’s difficult to express the gratitude I have for this team of collaborating artists who have brought their entire selves, minds and bodies, an exceptional sense of adventure and fun; an openness to wander and wonder, a desire to dig deeper, to question, to contradict and to do it all with love, care and kindness. Throughout the process our creative and personal relationships have become strong and lasting bonds. It is an immense privilege to be surrounded and uplifted by these brave, exceptional and endlessly creative artists.

SUB has been deeply affected by the landscapes of its creation - from the Yeperenye of Mparntwe to the wet caves of the West Coast of lutruwita, to the oceans of the Kombumerri and Yugambeh language regions. Hugely impactful to the work was our research residency with The Unconformity Festival in Queenstown - thank you to Travis, Maddie, Helena and Carl for connecting us with so many wonderful locals whose thoughts and experiences are deeply woven into the work. To Joy and Anthony at RoamWild for their generous knowledge and deep commitment to sharing the natural and human history of the West Coast and to local person Frank for an honest and mind-opening conversation into your experiences in the mines. Big love and gratitude to Adam, Emma and the Tasdance team for standing alongside us and believing in regional practice and the potential of this work.

Finally, to the founders and heartbeats of GUTS Dance - Frankie, your energy, determination and perseverance to not give up despite the many challenges to creating art is ever-inspiring. Maddy, your soft defiance, positivity and grounding presence both inside and outside the room is so precious to me.

To audiences, I hope you soften into SUB.

- Ashleigh Musk, lead artist, SUB.

ADVICE
TO AUDIENCES

SUB contains extremely loud noises, including a potentially distressing siren sound during a specific section. The performance contains some sexual references and haze effects.

Audiences are provided with earplugs.

Get in touch for more information.

ACCESSIBILITY

Aural Rating
Less than 25% - Although sound is an integral part of SUB, the work is primarily visual.

Visual Rating
75% - The work has no dialogue. SUB is accompanied by a soundscape but is a heavily visual experience.

Physical Distance Rating
80% - The work itself is socially distant, with audiences seated in a seating bank at one end of the performance space. However, you may be in close proximity with other audience members.

Physical Access
Audiences move through a wheelchair accessible corridor to find their positions on/near the seating bank. Audiences are not required to traverse any uneven ground or stairs. If access to the bathroom is required during the show, they will need to use the Prompt side stage door. There are no disability access toilets backstage, so any person needing an accessible bathroom should return to the accessible toilets located in the foyer.

Pre-Show Access & Sensory Demonstration
15 minutes before the show

The Pre-Show Access session is free and open to anyone who would benefit from attending, recommended for audiences with sensory sensitivities.

SUB contains extremely loud noises, including a potentially distressing siren sound and loud surround sounds, and some light effects. Audiences are invited into the performance space for a pre-show sensory demonstration for the following:

  • Access to members of the SUB team

  • Access to the space, props and set for tactile engagement

  • Experiencing the brightest lighting of the show

  • Experiencing the loudest sound within the show

  • Finding your allocated seat (or reserving one if there is open seating)

CREDITS

CONCEPT, CHOREOGRAPHY & PERFORMANCE
Ashleigh Musk in profound and ongoing collaboration with the team.

COLLABORATING PERFORMERS
Frankie Snowdon, Madeleine Krenek & Jenni Large

TOURING PERFORMER / UNDERSTUDY
Georgia Rudd

CHOREOGRAPHIC INTERN
Toni Lord

SOUND DESIGN & PERFORMANCE
Anna Whitaker

LIGHTING & SPATIAL DESIGN & PERFORMANCE
Jen Hector

DRAMATURGY & CONCEPT DEVELOPMENT
Pierce Eldridge

PHOTOGRAPHY / VIDEOGRAPHY
Ivan Trigo Miras

COSTUME DESIGN & MANUFACTURING
Elliat Rich and Lizzie Verstappen

INITIAL DRAMATURGY & CONCEPT DEVELOPMENT
Léuli Eshrāghi

SECONDMENTS
Luci Young, Alyse Canton & Chiara Wenben

PRODUCING SUPPORT
Erica McCalman


PRODUCED BY
GUTS Dance // Central Australia in partnership with Tasdance

PRINT PROGRAM

Driven by dramaturg Pierce Eldridge and creator Ashleigh Musk, the team contributed writings, drawings and sounds to a special printed program available at all live performances. This resource was intended to give the team a chance to share their perspective of the SUB world with you.

FUNDERS

SUB is created in partnership with Tasdance and supported by the Northern Territory Government through Arts NT, the Australian Government through RISE and Creative Australia, the Regional Arts Fund, Darwin Festival through the Spotlight Creative Development Fund and the Araluen Arts Centre.

GUTS would also like to acknowledge the Arrernte people, on whose country they are based and this work was created, and whose sovereignty was never ceded. They pay respect to their elders, and to all First Nations people and countries. 

THANK YOU

GUTS and the team would like to thank our families, who have supported, endured and cared for us and our work throughout the days, weeks, months and years it has taken to get this show to this point. We are very lucky to be supported to do what we love. To the funding bodies, peers, partnering organisations, festivals and private sponsors whose support has made this work and season possible and our collaborators past and present for their generosity and prolific talent. Finally, to all the brave dance makers who continue to defy convention and unsettle the status quo - we are forever indebted to your contributions to our practices and the world at large - and to you, our audience, for sharing this with us.

Your donations make a huge difference to continuing the development and presentation of dynamic contemporary dance in Central Australia